|  Introduced 
            in 2005, the MK-105 retains the authorative lower midrange power 
            Oktava is known for but adds some top end sparkle. The combination 
            of the new capsule, headbasket and transformerless circuit produces 
            a more transparent or hi-fi sound when compared to the classic 
            transformer output coloration and soft top end of the MK-219/319. 
            The CapsuleThe large 27.5 mm capsule with precision-drilled backplate holes in 
            conjunction with the headbasket design produces a gentle +4dB rise 
            from 4 kHz to 12 kHz to lend a touch of presence and air to vocal or 
            instrument sources.
 The HeadbasketInside the headbasket, the capsule is mounted on a conical diffuser 
            designed to reduce standing waves and smooth the capsule / 
            headbasket system frequency response.
 The CircuitThe MK-105 employs the highly regarded transformerless circuit found 
            in one of the most widely used mics in existence – the MK-102 (over 
            90,000 in use worldwide) to deliver the alluring sound of direct 
            phantom power applied to a large diaphragm capsule.
 The SoundOn-axis - A carefully crafted “double peak” high frequency response 
            provides subtle emphasis of both presence and “air” frequencies 
            while suppressing the sibilance range. This results in a more modern 
            or “Hi-Fi” sound when compared to the classic midrange-rich 219/319 
            sound but without the harsh sibilance found in many modern mics. 
            Off-axis - Frequency response at 90 degrees resembles 0 degree 
            response but attenuated a nominal l0dB. 180 degree rejection 
            increases to 16dB below 2kHz but the top end over 4kHz stays just 
            8-10 dB or so below the on-axis response. This means the MK-105 has 
            a very natural off-axis response out to 90 degrees with a pleasingly 
            bright room ambience.
 The MK-105 excels where the recordist wants a large diaphragm 
            cardioid mic with a musically useful proximity effect, a sparkling 
            top end free from sibilance and a bright room ambience sound.
 |